Gratitude and the search for meaning drive my inquiry into existential questions of pain, fragility, and the human striving, throughout our history, to become greater than we are. A printmaker who turned to photography in the digital age, my composite images and rich layers have found a home in fine art photography.
I use the camera as a form of journaling, trusting my subconscious to produce a trail of meaningful images. Even as bodies of work emerge, I may not be able to articulate what the images are about; writing then helps me to discover the subterranean world underlying the images.
I moved to Northern California as a young adult after growing up in upstate New York. I studied printmaking at the State University of New York College of the Arts (Purchase), and San Francisco State University. When I learned darkroom photography so many years ago, it became central to my printmaking. I worked for a time in a silkscreen studio, and later explored serigraphy more fully at Mission Grafica in San Francisco, and at the Women’s Studio Workshop in New Paltz, NY.
Over several decades, I earned my living with the pen—writing about critical social issues for nonprofit and government agencies. Periodically I’d retreat to my art practice and explore lifelong themes: finding solace in the landscape, grounding myself in spiritual practice, and awe at the human effort to create meaning.
For over 20 years, I’ve resided in a rural Sonoma County home that my husband Dave and I built as a collaborative work of art. After we lost him in 2016, an online photography class reinvigorated my art practice and led me back to the work of my soul.